Saturday, February 14, 2009

"RUMBA" PLAYS AT BYTOWNE CINEMA OTTAWA FROM FEB.13-19

The award-winning comedic dance film RUMBA plays at the Bytowne Cinema Ottawa this week (playing exclusively from Feb.13-19/09). Check out the review in the Ottawa Citizen by Jay Stone:

A surreal dance with colourful, quiet clowns

Rumba spans weirdness and genius

Would le voleur de pain au chocolate pilfer a fresh, cheese-stuffed baguette, as well? For the sake of Fiona and Dom’s lunch, one hopes not.

Would le voleur de pain au chocolate pilfer a fresh, cheese-stuffed baguette, as well? For the sake of Fiona and Dom’s lunch, one hopes not.

Rumba ***

Starring: Dominique Abel, Fiona Gordon, Bruno Romy

Directed by: Dominique Abel, Fiona Gordon, Bruno Romy

Rating: PG (mature theme) (In French with English subtitles)

Playing at: ByTowne Cinema, through Feb. 19

- - -

And then there's Rumba, a surreal oddity that is, among other things, brightly coloured, limber, inspired, tedious, whimsical, almost silent, ingenious, and 77 minutes long. Its stars, Dominique Abel and Fiona Gordon, are similarly eccentric: long-limbed, long-jawed, elastic, deadpan.

Near the beginning of the movie they do a dance -- he wearing red jogging pants and blue T-shirt, she in a yellow dress -- that is all elbows and knees, a gawky hula. It reminds you of two strands of spaghetti boiling, which is funny because later there's a scene where Dom and Fiona (for so their characters are called) are eating spaghetti, one long strand that ends with a kiss, just like the dogs in Lady and the Tramp.

Where to start with this one? She's an English teacher somewhere in Belgium, apparently (opening lesson: she has her students chanting "Around and around his ration of rice my dog rowdily runs") and he's a gym teacher in the same school, whom we see outside her window, leading his students in a nerdy run, arms waving.

Then they do the dance. Then they go off to a rumba competition, getting dressed in the car -- for a while, he's bent backwards over the front seat, trying to get his socks off -- then on the way home they try to avoid a guy who's about to commit suicide -- he keeps running between the road and the train tracks, just missing the various vehicles -- and crash their car. Dom wakes up with amnesia and Fiona wakes up with one leg missing.

And so on, I suppose. Rumba is an eccentric series of comic inventions that belongs in a genre of its own. Abel and Gordon and Bruno Romy (he has a small role as a man trying to steal a chocolate croissant) have an idiosyncratic style that combines the stylized set design of a M. Hulot comedy with the wordless clowning of silent cinema -- there is very little dialogue in Rumba -- and then runs it through the colour saturation machine so that it comes out looking like, oh, maybe Picasso's Crayolas. After somebody left them on the radiator.

Not all of it works: a sequence where Fiona, a new amputee, can't juggle her crutches with her notebook and her purse without falling out a window seems to be pushing the border of the film's essential sweetness, although admittedly, an earlier sequence, when her wooden leg catches fire, does set you up for it. The gags within gags -- Dom making an amnesiac's omelette, say, continuously breaking three eggs because he can't recall having just broken three -- are little moments of genius, as is the part where he unravels her dress while walking down the street, entrapping the whole neighbourhood, who remain serenely deadpan throughout. I supposed you would, if you lived near Dom and Fiona.

GREAT PRESS REVIEWS FOR "SAVING LUNA"

SAVING LUNA opens in Toronto this weekend at the AMC Yonge & Dundas and the Mt.Pleasant Theatre to great reviews!

The Toronto Star gave SAVING LUNA an excellent review:

POWERFUL DOCUMENTARY
TheStar.com | Entertainment | Saving Luna: Powerful documentary
Saving Luna: Powerful documentary
Luna’s story is told by Canadians Michael Parfit and Suzanne Chisholm.


Feb 13, 2009 04:30 AM

Entertainment Columnist


Saving Luna

(out of 4)

Nothing is simple in powerful story of a killer whale's need for humankind

Directed by Suzanne Chisholm and Michael Parfit. 93 minutes.

AMC Yonge & Dundas; Mount Pleasant, 675 Mount Pleasant Ave. G


The real-life story of Luna – the orphaned male orca that found itself abandoned in 2001 in B.C.'s Nootka Sound and opted for human company over finding its pod – begs big-budget Hollywood treatment.

It has all the right components: a baby killer whale relentlessly seeks contact with humans; self-important fisheries department officials, under the thrall of well-meaning cetacean behaviour specialists and "anthropomorphization police," make it an offence for humans to interact with the animal; First Nations inhabitants of Nootka Sound see Luna as the embodiment of the spirit of an ancestor and go to extraordinary lengths to prevent it from being moved; commercial fishermen want the bothersome beast killed; leisure boaters fear the whale's playful antics; and to cap the drama, a media circus amplifies the animal's story to mythological proportions.

Blockbuster stuff. But nothing Hollywood could do to embellish the compelling tragedy – Luna's adventures, well chronicled in the Canadian media, ended when the whale fell afoul of a trawler's propeller in 2006 – would say more about the mysterious relationship between humans and wild animals than Canadian nature journalists and filmmakers Michael Parfit and Suzanne Chisholm have with their documentary Saving Luna.

Their original 2004 brief was simple enough: spend three weeks evaluating the orca's apparent need for human company and write it up for the Smithsonian Institution – not a big task for seasoned writers, photographers and filmmakers with National Geographic credits. But as co-director and narrator Parfit explains in the film, the story's dimensions and dynamics kept changing. After all, the forbidden divide was breached by the animal, not by humans.

Chronicling the implications of that rare act meant sticking by Luna's side for as long as the story took to play out.

With the patience and detachment of true scientists, the filmmakers resist – even disparage – the urge to ascribe human qualities and rationale to the orca's actions and attempts to communicate.

They focus instead on photographing Nootka Sound's majestic other-worldliness and the bewildering efforts of humans to cope with what is, on one hand, a creature in peril and on the other, a dangerous nuisance.

That Parfit and Chisholm eventually become part of the story is inevitable. Breaking the order imposed by Canada's Department of Fisheries and Oceans, as well as defying his own scientific and journalistic imperatives, Parfit finally cannot resist making eye contact with the animal and strokes its warm body.

That simple, satisfying act wordlessly acknowledges the existence of a bridge between the consciousness of the wild unknown and so-called civilized human beings – "a friendship deeper than we know," Parfit says – that has been building inexorably throughout the film and is its very purpose.

No science explains it. Parfit and Chisholm don't even try to deconstruct the mystery of which they've become a part, nor do they over-sentimentalize the whale's dilemma, behaviour and undoing.

As witness to both human folly and faith, and to Luna's evident choice to live among us, Saving Luna raises more questions than it attempts to answer.

But it does deliver a powerful argument: We may have more to learn from animals than they do from us, and intellectually separating ourselves from them – even for the benefit of the wild kingdom – may not be such a great idea.


-----

And here's an amazing review by Liz Braun from Sun Media:


'Saving Luna' a whale of a tale
By LIZ BRAUN - Sun Media


Saving Luna is a film about a lonely little whale who tried to befriend humans in Nootka Sound. Just so you know, this is a movie that makes grown men cry.

Luna, a baby Orca, became a cause celebre in Canada several years ago when he was separated from his pod.

Luna came on his own to the west coast of Vancouver Island, a rare event. Orcas are social animals, and Luna was extremely lonely. And so he sought out human company, swimming up to boats in Nootka Sound and allowing people to interact with him.

Filmmakers Suzanne Chisholm and Michael Parfit went to the village of Gold River in 2004 to investigate Luna and write a magazine article about the juvenile whale who was stirring up controversy.

They intended to stay for three weeks. They ended up staying for three years.

Scientists believe that interaction between wild animals and humans generally leads to grief for both parties. As a result, fishery officials involved in the Luna case told people not to befriend the little whale -- in order to keep themselves, and Luna, safe.

Native groups in Gold River, however, saw Luna as a supernatural being, the spirit of a recently deceased chief. They interfered with plans to move the Orca away, fearing that Luna was secretly bound for captivity in a marine amusement park.

Some boat owners and fishermen, meanwhile, saw Luna as a nuisance, a large and uncontrolled force whose 'playing' damaged boats. And when Luna began trying to play with the expensive float planes that landed in the area, there were those who wanted the Orca shot.

Saving Luna examines the various viewpoints involved in the situation of the orphan whale, but the filmmakers seem most interested in the idea of friendship and communication among species.

What did Luna need from humans? What was at stake for him? What should have been done to protect him?

Extraordinary footage is the highlight of Saving Luna. It is truly mind-boggling to see and hear the Orca, an endearing creature whose playfulness is unexpected and surprisingly moving. Everyone charged with not showing friendship to Luna (including the officials who threatened to fine people for patting the whale) wound up being won over by the whale.

Luna pursued friendship with humans. The film is full of interviews with officials, local people and scientists, and almost everyone who encountered the whale talks about how much they came to love him. Luna had a distinct personality.

Saving Luna is a truly fascinating movie, both entertaining and educational, and it has won 18 awards at various film festivals around the world.

As it's not devoid of tragedy, the movie is not suitable for very young children.

Tuesday, February 10, 2009

SAVING LUNA opens TORONTO, CALGARY and SASKATOON this Friday!


The award winning documentary SAVING LUNA
is expanding it's successful theatrical run by opening in
TORONTO, CALGARY and SASKATOON
on
Friday February 13

at the following theatres:

TORONTO
. AMC Yonge & Dundas

. Mt. Pleasant Theatre


CALGARY

. Globe Cinema

SASKATOON

. Broadway Theatre


The directors Suzanne Chisholm and Michael Parfit
will be attending screenings in all cities over the opening weekend.


Check out www.savingluna.com for more details.