originally posted at the Globe and Mail
Land: Where land is all they’ve got
Documentary examines the impact of developers on a pristine stretch of the Nicaraguan coast
Editorial Rating: **** (out of 4)
by Jennie Punter
In January, 2006, three starry-eyed American resort developers, two expat eccentrics and some increasingly restless locals were living in imperfect harmony in a sleepy fishing village on a gorgeous stretch of Nicaragua’s Pacific coast dubbed the Central American Riviera. Toronto filmmaker Julian T. Pinder’s captivating, intimate and often funny documentary Land lets us join the citizens of this “underdeveloped” community during the months leading up to a general election that threatens radical change to the status quo.
Of course the November, 2006, election results in Nicaragua are known: Former revolutionary leader Daniel Ortega became president for the second time. But this knowledge in no way detracts from this rich film, which uses the looming election (with artful use of archived footage and photographs providing historical and political context) to build tension.
The main attractions of Land, however, are the engaging folk Pinder finds to illustrate the complexity of land issues in Nicaragua. The issues aren’t as simple as “developers bad, locals good,” although some gringos do exploit cheap local labour. Pinder makes sure his key characters are not merely “representative” but real people whose fates we care about – even if we don’t like some of them that much.
My favourite is Dean, an irascible, foul-mouthed, beer-swilling American expat who’s a hilarious commentator on the intrigue between developers (“land whores and dirt pimps”) and locals. His gruff poetry finds its counterpoint in lovely scenes with Nicaraguan poet and ex-guerrilla Sebastien Narvaez, who feels for the nation’s broken, forgotten soul.
We also get choice words from politician Eden Pastora, who once cut a dashing figure as a revolutionary leader nicknamed Commander Zero. Pastora points out Nicaragua has few exports and no industry: “All we have is our land.” This passion drives some locals to take both legal and illegal actions to change the game.
With a personal touch, Land tells a universal story of foreigners transforming paradise to attract more foreign tourists. Whether this is good or right depends on your idea of the ideal vacation.
Friday, June 4, 2010
Thursday, June 3, 2010
Straight.com: Pax Americana and the Weaponization of Space
originally posted at Straight.com
by Ken Eisner
With the social, financial, and environmental problems bubbling up at the moment, we can’t be blamed, exactly, for failing to search the skies for trouble. Still, we’re idiots to ignore the warning signs above, and that’s the main message of this troubling documentary.
Directed by French-born Denis Delestrac, and written by him and others, including Siobhan Flanagan, Pax Americana and the Weaponization of Space details the history and possible outcomes of a space race that began with Russia’s 1957 Sputnik launch. Of course, things started much earlier, when Hitler sent those V-2 rockets into English airspace, followed by Washington’s instant de-Nazification of rocket man Wernher von Braun, who put a big smile on NASA’s public face.
The prevalence of “kill vehicles” and other potentially lethal exotica in space sped up under Ronald Reagan, who gave carte blanche to the U.S. Air Force to expand dominance of the stratospheric high ground. And every president since has increased the budget for this dangerous grandiosity, always in the guise of national defence, of course—a position asserted by the many military figures seen here.
As illuminated by a welter of commentators, including Noam Chomsky, Helen Caldicott, and Martin Sheen, this less-than-heavenly push has been a spectacular boondoggle for the military-industrial complex—a “long con”, as one congressional observer calls it, designed as a licence to print money for programs that generally fail before getting off the ground. The scam may hide even more sinister purposes, but the most threatening aspect could be the proliferation of fast-moving space junk encircling our planet even before a catastrophic conflict or accident takes place.
Given all these fright factors, it almost seems wrong that the 85-minute film, goosed along by fast edits, high-tech graphics, and Amon Tobin’s electronic music, should be so cosmically entertaining.
by Ken Eisner
With the social, financial, and environmental problems bubbling up at the moment, we can’t be blamed, exactly, for failing to search the skies for trouble. Still, we’re idiots to ignore the warning signs above, and that’s the main message of this troubling documentary.
Directed by French-born Denis Delestrac, and written by him and others, including Siobhan Flanagan, Pax Americana and the Weaponization of Space details the history and possible outcomes of a space race that began with Russia’s 1957 Sputnik launch. Of course, things started much earlier, when Hitler sent those V-2 rockets into English airspace, followed by Washington’s instant de-Nazification of rocket man Wernher von Braun, who put a big smile on NASA’s public face.
The prevalence of “kill vehicles” and other potentially lethal exotica in space sped up under Ronald Reagan, who gave carte blanche to the U.S. Air Force to expand dominance of the stratospheric high ground. And every president since has increased the budget for this dangerous grandiosity, always in the guise of national defence, of course—a position asserted by the many military figures seen here.
As illuminated by a welter of commentators, including Noam Chomsky, Helen Caldicott, and Martin Sheen, this less-than-heavenly push has been a spectacular boondoggle for the military-industrial complex—a “long con”, as one congressional observer calls it, designed as a licence to print money for programs that generally fail before getting off the ground. The scam may hide even more sinister purposes, but the most threatening aspect could be the proliferation of fast-moving space junk encircling our planet even before a catastrophic conflict or accident takes place.
Given all these fright factors, it almost seems wrong that the 85-minute film, goosed along by fast edits, high-tech graphics, and Amon Tobin’s electronic music, should be so cosmically entertaining.
Wednesday, June 2, 2010
Straight.com: Pax Americana delivers history lesson on weaponization of space
originally posted at Straight.com
by Travis Lupick
Nuclear weapons are frightening. The prospect of kinetic bombardment is even scarier. And if you believe the information presented in Pax Americana: The Weaponization of Space, it won’t be long before delivery systems capable of kinetic bombardment are orbiting Earth.
The concept is simple. Load a satellite up with rods of tungsten that can be fired down to the surface. Those projectiles would travel at an estimated 11,000 kilometres an hour and, with all of that energy, strike the planet with the force of an atomic bomb.
Even with a small network of such satellites, any target on Earth could be destroyed in less than 10 minutes of the press of a button.
In Pax Americana, which opens at the Vancity Theatre on Friday (June 4), director Denis Delestrac methodically presents publicly available information that should serve as a warning: the weaponization of space is happening and could end with a scenario not unlike the one outlined above.
“What is inevitable is that there is always going to be somebody who will want to dominate any territory,” Delestrac told the Straight in a telephone interview from Barcelona, where he is currently based. “That doesn’t make inevitable the fact that we can’t stop it.”
Which is what Pax Americana, Delestrac’s first feature-length film, is trying to do.
“The first step we need to take…is to inform and to get people to know what is happening,” the French-born writer and director said.
He explained that a handful of nations—primarily the United States, but China and others as well—are already far along in the process of weaponizing humankind’s final frontier, and that the public is largely unaware of this fact.
“It is called the Pax Americana, or the ‘American peace’,” a preacher delivering a sermon on a US military base says in the film. “It refers to the period in which American influence throughout the world has caused a relative peace to come about.”
Delestrac, who previously worked on the 2005 IMAX film Mystery of the Nile, said encountering that sort of attitude was an intriguing part of making the film.
“Some of the people who want to weaponize space really believe that if somebody has to dominate, then it has to be the US,” he said. “They have a good heart.”
The problem, Delestrac continued, is that moving militaries into space will likely bring consequences dangerous for the entire planet. As the film illustrates, a new arms race may already be under way.
Since former US president Ronald Reagan started the country’s “missile defence” program in 1983, the American government has spent $200 billion trying to figure out how to use satellites to shoot down projectiles launched from earthbound sites. In January 2007, China successfully destroyed one of its own satellites in a military exercise that caused international alarm. And Russia has vowed to destroy any weapon the US deploys in space.
Delestrac emphasized that all of this is happening just 100 kilometres above our heads.
“When the weapon is there,” he said, “there could always be a hand that could use the weapon not the way that it is supposed to—not to protect or not to defend, but to attack.”
by Travis Lupick
Nuclear weapons are frightening. The prospect of kinetic bombardment is even scarier. And if you believe the information presented in Pax Americana: The Weaponization of Space, it won’t be long before delivery systems capable of kinetic bombardment are orbiting Earth.
The concept is simple. Load a satellite up with rods of tungsten that can be fired down to the surface. Those projectiles would travel at an estimated 11,000 kilometres an hour and, with all of that energy, strike the planet with the force of an atomic bomb.
Even with a small network of such satellites, any target on Earth could be destroyed in less than 10 minutes of the press of a button.
In Pax Americana, which opens at the Vancity Theatre on Friday (June 4), director Denis Delestrac methodically presents publicly available information that should serve as a warning: the weaponization of space is happening and could end with a scenario not unlike the one outlined above.
“What is inevitable is that there is always going to be somebody who will want to dominate any territory,” Delestrac told the Straight in a telephone interview from Barcelona, where he is currently based. “That doesn’t make inevitable the fact that we can’t stop it.”
Which is what Pax Americana, Delestrac’s first feature-length film, is trying to do.
“The first step we need to take…is to inform and to get people to know what is happening,” the French-born writer and director said.
He explained that a handful of nations—primarily the United States, but China and others as well—are already far along in the process of weaponizing humankind’s final frontier, and that the public is largely unaware of this fact.
“It is called the Pax Americana, or the ‘American peace’,” a preacher delivering a sermon on a US military base says in the film. “It refers to the period in which American influence throughout the world has caused a relative peace to come about.”
Delestrac, who previously worked on the 2005 IMAX film Mystery of the Nile, said encountering that sort of attitude was an intriguing part of making the film.
“Some of the people who want to weaponize space really believe that if somebody has to dominate, then it has to be the US,” he said. “They have a good heart.”
The problem, Delestrac continued, is that moving militaries into space will likely bring consequences dangerous for the entire planet. As the film illustrates, a new arms race may already be under way.
Since former US president Ronald Reagan started the country’s “missile defence” program in 1983, the American government has spent $200 billion trying to figure out how to use satellites to shoot down projectiles launched from earthbound sites. In January 2007, China successfully destroyed one of its own satellites in a military exercise that caused international alarm. And Russia has vowed to destroy any weapon the US deploys in space.
Delestrac emphasized that all of this is happening just 100 kilometres above our heads.
“When the weapon is there,” he said, “there could always be a hand that could use the weapon not the way that it is supposed to—not to protect or not to defend, but to attack.”
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